All CARRACCI, Annibale 's Paintings

The Painting Names Are Sorted From A to Z
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Choice ID Image  Painting (From A to Z)    Details
5924  
Assumption of the Virgin Mary dfg CARRACCI, Annibale
 
 Assumption of the Virgin Mary dfg   1600-01 Oil on canvas, 245 x 155 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5923  
Assumption of the Virgin sdf CARRACCI, Annibale
 
 Assumption of the Virgin sdf   c. 1590 Oil on canvas, 130 x 97 cm Museo del Prado, Madrid
5935  
Atlante fgh CARRACCI, Annibale
 
 Atlante fgh   Sanguine Mus??e du Louvre, Paris
66052  
Bacchantin, Detail CARRACCI, Annibale
 
 Bacchantin, Detail   c. 1590 112 x 142 cm (44.09 x 55.91 in)
32275  
Butcher's Shop CARRACCI, Annibale
 
 Butcher's Shop   1580s Oil on canvas, 185 x 266 cm
5936  
Ceiling fresco dfg CARRACCI, Annibale
 
 Ceiling fresco dfg   1597-1602 Fresco Palazzo Farnese, Rome
5928  
Domine quo vadis df CARRACCI, Annibale
 
 Domine quo vadis df   1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London
32277  
Fishing CARRACCI, Annibale
 
 Fishing   before 1595 Oil on canvas, 136 x 253 cm
5934  
Holy Women at the Tomb of Christ (detail) fg CARRACCI, Annibale
 
 Holy Women at the Tomb of Christ (detail) fg   Oil on canvas The Hermitage, St. Petersburg
5940  
Homage to Diana ds CARRACCI, Annibale
 
 Homage to Diana ds   1597-1602 Fresco Palazzo Farnese, Rome
5925  
Lamentation of Christ df CARRACCI, Annibale
 
 Lamentation of Christ df   1606 Oil on canvas, 92,8 x 103,2 cm National Gallery, London
63838  
Madonna Enthroned with St Matthew CARRACCI, Annibale
 
 Madonna Enthroned with St Matthew   1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious
5929  
Rest on Flight into Egypt ff CARRACCI, Annibale
 
 Rest on Flight into Egypt ff   c. 1600 Oil on canvas, diameter 82,5 cm The Hermitage, St. Petersburg
5931  
Self-portrait dfg CARRACCI, Annibale
 
 Self-portrait dfg   c. 1604 Oil on wood, 42 x 30 cm The Hermitage, St. Petersburg
5930  
Self-Portrait in Profile sdf CARRACCI, Annibale
 
 Self-Portrait in Profile sdf   1590s Oil on canvas Galleria degli Uffizi, Florence
5927  
The Choice of Heracles sd CARRACCI, Annibale
 
 The Choice of Heracles sd   c. 1596 Oil on canvas, 167 x 273 cm Museo Nazionale di Capodimonte, Naples
5941  
The Cyclops Polyphemus dfg CARRACCI, Annibale
 
 The Cyclops Polyphemus dfg   1595-1605 Fresco Palazzo Farnese, Rome
5926  
The Flight into Egypt dsf CARRACCI, Annibale
 
 The Flight into Egypt dsf   1603 Oil on canvas, 122 x 230 cm Galleria Doria-Pamphili, Rome
5937  
The Galleria Farnese cvdf CARRACCI, Annibale
 
 The Galleria Farnese cvdf   1597-1602 Fresco Palazzo Farnese, Rome
51191  
The Laughing Youth CARRACCI, Annibale
 
 The Laughing Youth   1583 Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task,
5932  
The Martyrdom of St Stephen vcd CARRACCI, Annibale
 
 The Martyrdom of St Stephen vcd   1603-04 Oil on canvas, 51 x 68 cm Mus??e du Louvre, Paris
32290  
The Virgin Appears to Sts Luke and Catherine CARRACCI, Annibale
 
 The Virgin Appears to Sts Luke and Catherine   1592 Oil on canvas, 401 x 226 cm
63844  
Triptych CARRACCI, Annibale
 
 Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (central panel), 37 x 12 cm (each wing) Galleria Nazionale d'Arte Antica, Rome The central panel shows the Piet? while on the wings St Cecilia (left) and St Ermenegildus are represented. This small triptych originally belonged to Cardinal Odoardo Farnese, and the Farnese inventories document it as a work of Annibale Carracci as early as 1619. The attribution to Annibale was unquestioned until 1956 when, for stylistic reasons, the tabernacle was assigned to the Carracci workshop and given specifically to the hand of Innocenzo Tacconi. Despite this, the general conception of the work was attributed to Annibale on the basis of a drawing preserved at the Louvre (Paris). More recently, the documentary research has proven that the painting was commissioned directly from the artist by Cardinal Farnese sometime after 1603, the year in which he was obliged to renounce his claims to the succession to the English throne. Considering the importance of the commission, it seems difficult to argue against attribution to Carracci himself. The high quality of the Piet?and stylistic comparison of this central panel to Annibale's many other treatments of the subject lead to the assignment of this part of the execution to the master. It is, however, possible that Annibale allowed assistants (Innocenzo Tacconi or Antonio Carracci) to work on secondary panels, as these are slightly different in some of the details of execution.Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
63845  
Triptych CARRACCI, Annibale
 
 Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome The closed triptych represents St Michael the Archangel (left) and the Guardian Angel (right).Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
5933  
Triptych dsf CARRACCI, Annibale
 
 Triptych dsf   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome
5939  
Triumph of Bacchus and Ariadne (detail) dsg CARRACCI, Annibale
 
 Triumph of Bacchus and Ariadne (detail) dsg   1595-1605 Fresco Palazzo Farnese, Rome
5938  
Triumph of Bacchus and Ariadne sdg CARRACCI, Annibale
 
 Triumph of Bacchus and Ariadne sdg   1597-1602 Fresco Palazzo Farnese, Rome
32289  
Venus with a Satyr and Cupids CARRACCI, Annibale
 
 Venus with a Satyr and Cupids   c. 1588 Oil on canvas, 112 x142 cm

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